books '17

Jan. 21st, 2018 03:52 pm
pax_athena: (promote what you love)
As usual: ratings are out of a max of 5 (but the least possible one is 0, not 1), R stands for Russian, G for German, E for English. Recommendations in purple, this year with a few words about each of them.

Books:

table with 60 books )



Absolute recommendations of this year:

"С неба упали три яблока" by Narine Abgaryan
-- this was a recommendation by [livejournal.com profile] fikuz. It such a warm book ... I don't have other words for it. It's sad and hard and terrible in parts but still warm and full of hope and just wonderful. Right now only available in Russian but in the process of being translated into English - I will so remind you of it.

"The Power" by Naomi Alderman (recommended to me by [personal profile] luna_puella), "Die Leichtigkeit / La légèreté" by Catherine Meurisse and "Das große Heft / The Notebook / Le grand cahier"" by Ágota Kristóf I have already recommended here.

"Vita Nostra" by Marina & Sergey Dyachenko
-- I haven't had a book pull me in that badly for a while. Just wow. I've read comparison to Harry Potter, but given all my love for HP (which was the series that made me start reading English in my time) - this one is darker and freakishly inventive (language, it's all about language and metaphors and metamorphosis). Another one to be translated soon - I'll remind you when it comes out, emphatically.

"Aller Tage Abend /The End of Days" by Jenny Erpenbeck's
-- where "Heimsuchung/Visitation" was about a place and it's place in history this is about a person and her place in history. A life and five deaths and German/East-German/Jewish history through 80 years, in all its ugliness. Not a word too much, not a thought wasted, and several absolute perfect sentences or paragraphs.

"Karte und Gebiet / The Map and the Territory" by Michel Houellebecq - a deep rumination on art and on the very purpose of existence, a slow book that required to be read slowly. In my goodreads review, in German, I called it a "ein verletzliches Buch, im Gegenteil zu Houellebecqs vielen anderen verletzenden" - a vulnerable book, as opposed to Houllebecqs other books, that aim to offend and transgress (but are not less good). It does not quiet mean the same in English, without the play of words that German allows here, but oh well, I don't know how to express it better.
A lot of the reviews concentrate on the fact that Houllebecq kills himself in the books rather horrifically. But it's not at the heart of the book; at the heart of the book is art and Houellebecq has shown already in "Rester vivant" that he has a lot of important things to say about art.

"Katharsis" by Luz
-- a sibling to Catherine Meurisse's book: another survivor of the Charlie Hebdo massacre talking about the life afterwards. Very differently but not less a punch to the guts. And of course another one that is not translated into English - if you know either German or French, read it. It will not let you go.
(I don't remember whether this one was a recommendation by [livejournal.com profile] soeinnarr or whether we "merely" talked about it *sighs*)

"Schuld / Guilt" by Ferdinand von Schirach
-- I do not often enjoy bestsellers, but some books have a reason to become some. Von Schirach's stories are lurid, but also full of a dark humor and of a certain kind of compassion. And moral dilemmas, of course moral dilemmas. Each story is more of a short sketch, leaving the reader to fill in the details, forcing to keep thinking about it.

"Amatka"" by Karin Tidbeck
-- I had great expectations for Tidbeck's novel after I finally managed to get hold of a paper copy of her short story collection, "Jagannath", last year and having loved it (the short story collection is being re-issued by a much bugger publishing house, by the way, - get it, it's amazing!). And Amatka lives up to the expectation. The language and the voice of the narrator first seems bland until you understand that the language that the story is told in is an intrinsic component of the story being told. And now that I think about it, it's the second of my recommendation this year that is, at its core, about the power of language.


Some statistics:
break down of the reading list by language, internationality, new to me authors, author gender )

Lists from previous years are here: 2008, 2009, 2010, 2011, 2012, 2013, 2014, 2015, 2016.

Paris 2017

Mar. 21st, 2017 10:14 pm
pax_athena: (birds)
I walked 24 km on Saturday and 15 on Sunday. On Monday, I gave a talk in the morning and spent the rest of Monday and the whole of Tuesday pretty much in non-stop discussion with old and new-to-me colleagues, bouncing off ideas, discussing possible projects, trying to understand each other's approaches, interrupted only when the core group of the four of us were sharing funny stories about things that happened at this conferences or that meeting or sad/scared/desperate musings on world politics (understandably, between an American, a German living in the Netherlands and two French people).

I spent all the time pretty much non-stop with J. (yes, half of my friends seem to have names starting with this letter) - which was a bit of a risk: being the kind of people who, by our nature, need long to become friends with someone (friendships were something that we talked about on one of the mornings), we only grew closer towards the end of my stay in the USA. But it was amazing. I never ever want to miss the people I met through science having been part of my life, no matter where I go next. (And funnily, this J. and I are usually on different sides of many scientific discussions, but it does not stop us from liking each other).

The weekend program consisted of Sainte Chapelle (somehow I missed what to expect from the Sainte Chapelle and was, when we entered the lower half, deeply convinced that this was it; my gasp once we entered the main chapel may have been very loud), the museum of Asian art (I need so much more time here), Louvre (I need a year here, at least; this time with the Vermeer special exhibition) and the catacombs. We've eaten at a basque place (less good than last time - last time was the first time I had tripe in my life and I fell in love with it), a random tiny&homey maroccan place (tajine, couscous, mint tea and an appertizer of which we don't know what it was - but it was amazing) and a fancy French place with an amazing dessert, intense cheeses and tongue for a starter.

I was a Vermeer fangirl (even though the exhibition highlighted mainly a very certain motif in his paintings): a set of coasters (that contain my favorite, "The Little Street"), a magnet, a postcard and a poster/print (all of "the astronomer", I clearly could not have passed on this one). Also, the French know their fashion - I took home a long-sleeved blouse (white), a sleeveless shirt-blouse (red), a sleeveless shirt/untershirt with thin but not spaghetti straps that finally fits the way I want, and a short black sweater with bird applications (that I did not need but that looked freaking good on me). All bought why I had to wait - because no, I did not really want to waste my limited time on shopping but when at the train station an hour too early or having fifteen minutes to kill waiting for your partner in crime to arrive but not able to check in into the hotel yet ...

A few impressions:



Sainte Chappelle.

9 more )


[eda:] When leaving the house on Saturday, I realized that I forgot my power cable at home - I went back and lo-and-behold, there as not also my power cable, still plugged in (I have an extra one at work so I usually don't need to pack it), but also my wallet, still waiting quietly on the shelf next to the door. And 10 minutes before leaving the Paris institute, I realized that I am missing my wallet. The last time I could remember seeing it was when I took it out of the pocket in the bathroom, to prevent it plunging into the toilet. Luckily, we caught up with the secretary on the stairs. Two minutes later and I would have been stuck in Paris, about to cross two country borders (France/Belgium and Belgium/Netherlands) without an ID. Not to mention all my cards, but I've been least worried about them at this point.

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