As usual: ratings are out of a max of 5 (but the least possible one is 0, not 1), R stands for Russian, G for German, E for English. Recommendations in purple, this year with a few words about each of them.
Books:
( table with 60 books )
Absolute recommendations of this year:
"С неба упали три яблока" by Narine Abgaryan
-- this was a recommendation by
fikuz. It such a warm book ... I don't have other words for it. It's sad and hard and terrible in parts but still warm and full of hope and just wonderful. Right now only available in Russian but in the process of being translated into English - I will so remind you of it.
"The Power" by Naomi Alderman (recommended to me by
luna_puella), "Die Leichtigkeit / La légèreté" by Catherine Meurisse and "Das große Heft / The Notebook / Le grand cahier"" by Ágota Kristóf I have already recommended here.
"Vita Nostra" by Marina & Sergey Dyachenko
-- I haven't had a book pull me in that badly for a while. Just wow. I've read comparison to Harry Potter, but given all my love for HP (which was the series that made me start reading English in my time) - this one is darker and freakishly inventive (language, it's all about language and metaphors and metamorphosis). Another one to be translated soon - I'll remind you when it comes out, emphatically.
"Aller Tage Abend /The End of Days" by Jenny Erpenbeck's
-- where "Heimsuchung/Visitation" was about a place and it's place in history this is about a person and her place in history. A life and five deaths and German/East-German/Jewish history through 80 years, in all its ugliness. Not a word too much, not a thought wasted, and several absolute perfect sentences or paragraphs.
"Karte und Gebiet / The Map and the Territory" by Michel Houellebecq - a deep rumination on art and on the very purpose of existence, a slow book that required to be read slowly. In my goodreads review, in German, I called it a "ein verletzliches Buch, im Gegenteil zu Houellebecqs vielen anderen verletzenden" - a vulnerable book, as opposed to Houllebecqs other books, that aim to offend and transgress (but are not less good). It does not quiet mean the same in English, without the play of words that German allows here, but oh well, I don't know how to express it better.
A lot of the reviews concentrate on the fact that Houllebecq kills himself in the books rather horrifically. But it's not at the heart of the book; at the heart of the book is art and Houellebecq has shown already in "Rester vivant" that he has a lot of important things to say about art.
"Katharsis" by Luz
-- a sibling to Catherine Meurisse's book: another survivor of the Charlie Hebdo massacre talking about the life afterwards. Very differently but not less a punch to the guts. And of course another one that is not translated into English - if you know either German or French, read it. It will not let you go.
(I don't remember whether this one was a recommendation by
soeinnarr or whether we "merely" talked about it *sighs*)
"Schuld / Guilt" by Ferdinand von Schirach
-- I do not often enjoy bestsellers, but some books have a reason to become some. Von Schirach's stories are lurid, but also full of a dark humor and of a certain kind of compassion. And moral dilemmas, of course moral dilemmas. Each story is more of a short sketch, leaving the reader to fill in the details, forcing to keep thinking about it.
"Amatka"" by Karin Tidbeck
-- I had great expectations for Tidbeck's novel after I finally managed to get hold of a paper copy of her short story collection, "Jagannath", last year and having loved it (the short story collection is being re-issued by a much bugger publishing house, by the way, - get it, it's amazing!). And Amatka lives up to the expectation. The language and the voice of the narrator first seems bland until you understand that the language that the story is told in is an intrinsic component of the story being told. And now that I think about it, it's the second of my recommendation this year that is, at its core, about the power of language.
Some statistics:
( break down of the reading list by language, internationality, new to me authors, author gender )
Lists from previous years are here: 2008, 2009, 2010, 2011, 2012, 2013, 2014, 2015, 2016.
Books:
Absolute recommendations of this year:
"С неба упали три яблока" by Narine Abgaryan
-- this was a recommendation by
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
"The Power" by Naomi Alderman (recommended to me by
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
"Vita Nostra" by Marina & Sergey Dyachenko
-- I haven't had a book pull me in that badly for a while. Just wow. I've read comparison to Harry Potter, but given all my love for HP (which was the series that made me start reading English in my time) - this one is darker and freakishly inventive (language, it's all about language and metaphors and metamorphosis). Another one to be translated soon - I'll remind you when it comes out, emphatically.
"Aller Tage Abend /The End of Days" by Jenny Erpenbeck's
-- where "Heimsuchung/Visitation" was about a place and it's place in history this is about a person and her place in history. A life and five deaths and German/East-German/Jewish history through 80 years, in all its ugliness. Not a word too much, not a thought wasted, and several absolute perfect sentences or paragraphs.
"Karte und Gebiet / The Map and the Territory" by Michel Houellebecq - a deep rumination on art and on the very purpose of existence, a slow book that required to be read slowly. In my goodreads review, in German, I called it a "ein verletzliches Buch, im Gegenteil zu Houellebecqs vielen anderen verletzenden" - a vulnerable book, as opposed to Houllebecqs other books, that aim to offend and transgress (but are not less good). It does not quiet mean the same in English, without the play of words that German allows here, but oh well, I don't know how to express it better.
A lot of the reviews concentrate on the fact that Houllebecq kills himself in the books rather horrifically. But it's not at the heart of the book; at the heart of the book is art and Houellebecq has shown already in "Rester vivant" that he has a lot of important things to say about art.
"Katharsis" by Luz
-- a sibling to Catherine Meurisse's book: another survivor of the Charlie Hebdo massacre talking about the life afterwards. Very differently but not less a punch to the guts. And of course another one that is not translated into English - if you know either German or French, read it. It will not let you go.
(I don't remember whether this one was a recommendation by
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
"Schuld / Guilt" by Ferdinand von Schirach
-- I do not often enjoy bestsellers, but some books have a reason to become some. Von Schirach's stories are lurid, but also full of a dark humor and of a certain kind of compassion. And moral dilemmas, of course moral dilemmas. Each story is more of a short sketch, leaving the reader to fill in the details, forcing to keep thinking about it.
"Amatka"" by Karin Tidbeck
-- I had great expectations for Tidbeck's novel after I finally managed to get hold of a paper copy of her short story collection, "Jagannath", last year and having loved it (the short story collection is being re-issued by a much bugger publishing house, by the way, - get it, it's amazing!). And Amatka lives up to the expectation. The language and the voice of the narrator first seems bland until you understand that the language that the story is told in is an intrinsic component of the story being told. And now that I think about it, it's the second of my recommendation this year that is, at its core, about the power of language.
Some statistics:
( break down of the reading list by language, internationality, new to me authors, author gender )
Lists from previous years are here: 2008, 2009, 2010, 2011, 2012, 2013, 2014, 2015, 2016.
Tags: